images via this auction
Wednesday, April 30, 2008
Akai AX80
images via this auction"Polyphony - 8 voices Oscillators - 2 per voice + Sub Osc. (sawtooth or variable pulse width) Filter - 8 VCFs (1 per voice) VCA - 8 ADSRs (1 per voice) LFO - 3 LFOs controlling OSC 1, OSC 2, VCF Keyboard - 61 keys (velocity sensitive) Memory - 96 patches (64 user, 32 preset) Control - MIDI Date Produced - 1984"
Talk Talk
Waldorf Pulse
via this auction- Three Oscillators with variable waveforms
pulse with variable pulse width (saw, triangle and cross modulation)
- Oscillator sync
- Waldorf 24 dB lowpass filter with resonance up to self-oscillation, frequency range 25Hz to 35kHz.
- 100 programs, divided into 59 ROM presets, 40 user programs and one random sound
- Two envelopes each with selectable trigger modes
- Two LFOs with different waveforms (triangle, sin, saw, pulse and sample&hold)
- LFO frequency range from 0.008 Hz up to 261 Hz
- Internal Arpeggiator (tempo from 50bpm to 300bpm and 16 predefined rhythm patterns)
- All parameter changes sent/received as MIDI controller
- Four routable modulation units with adjustable source, amount and destination
- Six knobs and four buttons for convenient editing
- 19" 2HE Rackmount
- Stereo Line out
- MIDI In/Out/Thru
CWEJMAN SOUND S1 SEMI MODULAR SYNTHESIZER
via this auction"Semi-Modular Synthesizer
"Semi" modular means that all functions and modules (oscillators, generators, filters, etc.) are linked. The synthesizer is preconfigured, but the configuration can be changed at will. All signals can be used as sounds or modulation sources and all parameters: pitch, pulse width, volume, resonance, etc., can be modulated from any source. Imagine the creative opportunities waiting for you inside this instrument!
Warm and powerful soundThe most unique feature of the product is the sound processing circuits that produce the unmistakable Cwejman Sound: a warm, fat, and genuine analogue sound.
Sound quality is consistent and powerful, especially in the bass register. The Cwejman S1 has a distinct sound and packs enormous possibility in a compact package.
The Cwejman S1 sound circuits are unique, using a proprietary design. The sound is characterized by the same punch, bottom and consistent sound found in vintage analog treasures - but the S1 also has the ability to sound completely different."
Tuesday, April 29, 2008
Roland VC1 - D50
via this auction"A Real D-50 with Complete Sound Editing
All of the original D-50 parameters are included, allowing you to program true D-50 Patches using the V-Synth's touchscreen, physical knobs and sliders or editor software for VariOS. Even the D-50's unique Partial Balance joystick function can be re-created with the TimeTrip Pad. And here's the best part: original D-50 Patch data can be loaded into the V-Synth/VariOS via MIDI bulk dump, allowing users to take advantage of the hundreds of alternate D-50 sounds that were available. With the D-50 Card, Roland takes the cutting-edge V-Synth/VariOS into the past and future-forever."
SEIKO DS-320 Sequencer for the DS-250 Synthesizer
via this auction"This is the Rare SEIKO DS-320 Sequencer for the DS-250 Synthesizer, It clips onto the DS-250 and gets it power from 2 AA batteries."
Monday, April 28, 2008
Sunday, April 27, 2008
KORG Poly-61
images via this auction"The Korgpoly 61 released in 1982 was Korg's follow up to the legendary Polysix and has 2 digitally clocked analogue oscillators (DCO's) to each of its six voices as apposed to the polysix's single Voltage controlled oscillator (VCO) per voice. the second DCO can be de-tuned to the first meaning you can get some nice fat sounds from this synth. It is how ever not as hands on as the polysix which was a very knobby beast. The poly 61 replaces almost all the parameter knobs with a push button selection interface which mean you edit one parameter at a time. but what it does have is the first Korg joy stick which controls pitch and filter modulation on a X Y axis so moving this around can create some very exciting performances.
The sound of the ply 61 is anything from rich and lush right up to distorted and angry growling. it has lovely SSM chip envelope generators. Also with the chord memory function you can obviously play memorized chords with one finger but if you use the hold key and hit the same notes 6 times you have all six voices playing the same note. That's 12 DCO's in unison with selectable detuning on 6 of them. Now that's fat.
The poly 61 has no MIDI as it was released just at the time MIDI was first used, there was however a factory midi kit for the poly 61 released and I think you can get kits from Kenton for these also.
This Korg poly 61 has had all key contacts cleaned and rubber key contacts rejuvenated. the old battery has been replaced by a new CR2032 cell battery with a diode in place to protect the new battery from charge. The original battery was fine and had not leaked but was changed all the same as being some 25 years old it was long past its use by date.
The to and from tape functions work as does the release, arp trigger, program up, Phones and audio out jack sockets on the rear."
Synthesizers.com
images via this auction"This system offers a complete 3-oscillator analog machine along with a state-variable filter, 2 envelope generators, amplifier, noise generator, Four Input Mixer, Signal Processor and more....
Also, an important and often overlooked feature of the three Voltage Controlled Oscillators in this particular system is that all three have the optional Q106CRS Calibrated Range Switch feature installed which insures that the Range switch on every oscillator precisely changes octaves exactly like a Moog Modular Synthesizer or a Minimoog synthesizer. If you don't have this option on your oscillators every time you change the range (octave) switch on the oscillators you have to retune the main frequency (pitch) of the oscillator which is a real pain if you want to use the synth in live performance as well as making things much faster in the studio. This is an additional $25 per oscillator option from the factory that is already included for you."
ARP Odyssey MkIII
images via this auction"Odyssey Mk III (Model 2820-23)
Above is the Odyssey III (Models 2810-2823) produced from 1976-81 and featuring the new Model 4075 filter design. In addition to its 1/4" outputs, XLR outputs have been added. The rest of its specifications are virtually identical to the Odyssey Mk II except that the overall look and quality are further updated to match the look of the latest ARP synths with the orange & black color-scheme."
Clavia Nord Micro Modular
via this auction"Nord Micro Modular specifications
* Programmable modular synthesizer with polyphonic capacity
* 24-bit internal processing at 96 kHz sampling frequency
* Maximum 4 voices (practical limit) depending on patch complexity
* 3 user-assignable editing knobs and one user-assignable button
* 3 dedicated function buttons
* 2x7-segment LED display
* Holds 99 user patches (sounds) and operating system software in Flash memory. Software upgradable via the computer.
MIDI features
All parameters, except the master level, can transmit and receive MIDI Control Change messages. Notes can be received over the entire MIDI range. MIDI clock Synchronizing.
Nord Micro Modular hardware specifications
* Two analog audio inputs, line level. 16-bit Sigma-Delta ADCs, 48 kHz sampling frequency
* 2 assignable outputs, line-level. 18-bit linear DACs, 96 kHz sampling frequency
* Headphones output
* MIDI In and Out for "public MIDI"
* PC In and Out for communication with computer Editor
Dimensions: 210 (W), 120 (D), 40 (H) mm
8.2"(W) 4.5"(D) 1.5"(H)
Weight: 0.7 kg"
Saturday, April 26, 2008
Clavia Nord Modular
images via this auction"With the Nord Modular you are able to construct the “synthesizers of your dreams”. Simply drag synth modules out onto the computer screen, make your connections using “virtual patch cords”, and in no time you’ll have your new synthesizer in front of you. The innovative and flexible architecture of the Nord Modular allows for extensive sound sculpturing. How about a 5-oscillator-per-note synthesizer with 5 LFO’s, two resonant 24 dB/oct low-pass filters with separate envelopes or maybe a fat string sound with 14 oscillators – in stereo. Move your body to a mega fat bass sequence built up with 4 oscillators and a distorted classic analog lowpass filter in combination with a note sequencer module. Or, why not a classic 6 operator FM patch for that “electric” piano sound or a 24 sine wave oscillator patch for additive synthesis. All your patches can be stored in the Nord Modular synthesizer and recalled later on – also without a computer connected! Stereo analog inputs open up for extensive sound processing possibilities. 16-band vocoding, anyone? Nord Modular has it all. Your imagination is only the beginning..."
Friday, April 25, 2008
Roland TB-303
images via this auction"a monophonic analog bass synthesizer married to a pattern-based step sequencer released in 1982. It features a single analog oscillator with two waveforms (ramp or square) and has a simple but excellent VCF filter with resonance, cut-off, and envelope controls. There are also knobs to adjust tuning, envelope decay, tempo and accent amount."
Thursday, April 24, 2008
Two Ken Stone Wavetable Oscillator pcb sets w/ ROMS
via this auction"This is a great find for those who enjoy building custom modules. these are increasingly harder to find. especially with all the boards together w/ their respective ROMs, let alone two full sets.
These are both the version 3 board without the 2532 error on them."
Cwejman MMF-1 Multmode Filter
via this auction"The MMF-1 is the most flexible single filter. Additionally, the solution with variable SPACING (bandwidth) and two variable resonance peaks make it possible to create various vocal like sounds.
The Multi Mode Filter offers seven types of modes:
* Low pass
* High pass
* Band pass
* Dual band pass-------with dual resonance (Q-PEAK) and controlled bandwidth by SPACING
* Dual band pass-------with single upper resonance (Q-PEAK) and controlled bandwidth by SPACING
* Dual band pass-------with single lower resonance (Q-PEAK) and controlled bandwidth by SPACING
* Notch------------------with single or dual resonance (Q-PEAK) and controlled bandwidth by SPACING
The POLE defines how steep the filter cuts off the attenuated frequencies. It means, that the 2 pole filter cuts signal with 12dB/octave, the 4 pole filter cuts with 24 dB/octave. The higher the slope, the more effective the filter cuts. The CUTOFF frequency or corner frequency defines at which frequency the filter starts to attenuate frequencies of the incomming signal. The cutoff frequency of the filter can be adjusted by CUTOFF knob from 16kHz to 16Hz and tracked by the external signals CUTOFF CV1 and CV2.
The Q-PEAK (also known as "resonance" or "emphasis") boost audio signals in the near range of the cutoff frequency and makes the tone sound more "cutting". From a certain level on, the filter start o self-oscillate and works as a sine wave-oscillator and in dual band pass mode (in dual Q-PEAK mode) produces two-tone sinus wave (the two-tones frequencies are controlled by CUTOFF and SPACING).
The q-peak can be controlled by knob Q-PEAK and/or by signal from levelled input Q-PEAK CV, levelled by Q-PEAK CV knob. The SPACING control defines bandwidth for all three dual band pass modes and/or spread of two resonant peaks. The amount of spacing can be controlled by knob SPACING and/or by signal from input SPACING CV.
The audio knobs AUDIO1 and 2 controls the audio signals level coming from inputs AUDIO1 and AUDIO2. The audio output is provided by output socket labelled AUDIO and is revealed by white surround. "
Wednesday, April 23, 2008
Creamware Minimax ASB
"Creamware Minimax ASB synthesizer, virtual analogue emulation of the legendary Minimoog model D synthesizer. This highly programmable beast with really fat, analogue-like basses, lushy pads and screaming leads have 3 oscillators, 12 voices, stereo inputs and outputs, MIDI In/Out/Thru, USB port, mixer with white and pink noise filter (with switch and volume), 2 ADS-envelopes, oscillator and filter FM, feedback/overload (this one is a killer feature!), glide/portamento, velocity controls for filter and VCA, 256 presets (128 factory + 128 user presets), effects (chorus, flanger, delay) and Minimax Remote software, PC/Mac editor for easier editing of this beast via USB (USB cable not included). You can modulate external audio with Minimax's powerful filters and envelopes."
Roland SH-101 Flyer
via this auction"An original copy of the 1982 Roland flyer brochure for the SH-101 synthesizer. Black and white. 2 x A4 page brochure with information on each side so 4 A4 sides of information."
Roland Jupiter-8 Flyer
via this auction"An original copy of the 1981 Roland flyer brochure for the Jupiter 8 synthesizer. Colour. 2 x A4 page brochure with information on each side so 4 A4 sides of information."
Roland GR-33B
via this auction"Roland GR-33B all analog bass guitar synthesizer floor unit. The unit was designed for use with a Roland GR series bass but it also works well with any of the 24 pin Roland G series 6 string guitar synth controllers (G303, G808, G202, G505, G707 etc). Remember this unit does not produce any sounds on its own – you need to trigger it with a 24 pin Roland GR series bass or guitar."
Alesis Ion
via this auction"General Description
Alesis ION 49-Key 8-Voice Analog Modeling Synth
49-key analog modeling synthesizer. 30 realtime control knobs. 40 bands of vocoding.
Ion is an affordable 49-key analog modeling synthesizer with bold sounds, a futuristic design, a turbo-charged sound engine, and a simple user interface. Driven by Alesis' proprietary 500 MIPS sound engine - delivering up to 5x the processing power of modeling synths which cost hundreds more - the Ion packs eight voices of smooth, high-bandwidth analog-style punch, with three oscillators and two multi-mode filters per voice. This impressive four-part multitimbral sound engine serves up everything from warm, round bass tones to lush pads and gritty lead sounds, making Ion perfect for music styles ranging from rock to funk and the latest house, techno and trance dance styles. The Ion's clean, intuitive user interface is comprised of 30 realtime control knobs, over 70 direct-access buttons, a pitch bend wheel, two assignable modulation wheels, and a large 160x160 graphic LCD . Everything from radical filter sweeps to subtle tonal changes can be performed in real-time, just like the classic analog synths of the past. The Ion's onboard effects include chorus, flange, phaser, echo, distortion, fuzz, compressor and more - plus a full-featured Vocoder, which can perform up to 40 bands of vocoding with no negative impact on polyphony. Connections include four balanced analog outputs, stereo balanced analog inputs, and MIDI In and Out/Thru ports. A built-in switching power supply is also included.
Features:
512 Preset Programs, All User Re-Writeable
8 Voice Polyphony, 4 Parts Multi-timbral
3 Oscillators per Voice, With Continuously Variable wave shapes, Sync and FM
2 Multimode Filters per Voice, 16 Filter types to choose from 2 LFOs, Sample and Hold and Arpeggiator - all Sync to MIDI Clock
4 Individual Mono/Stereo Insert Effects and Stereo Master Multi-FX Processor
Fully Featured Vocoder with up to 40 bands
Performance friendly interface with 31 knobs, 69 buttons, sustain and expression pedal inputs, pitch bend wheel and 2 assignable mod wheels
High Resolution Graphic LCD
49 Velocity Sensitive Keys
4 Analog Outputs and Stereo Analog Inputs - all balanced 24-bit
Internal Universal Power Supply"
Roland CSQ-100 Analog Sequencer
via this auction"Roland CSQ-100 'Digital Sequencer' from the late-70's, early-80's TR-808 era. This provides CV-GATE sequencing to synthesizers that can receive it."
Kurzweil K250 Keyboard
images via this auction"This famous keyboard was designed originally for Stevie Wonder and was adopted by many of the top keyboardist / composers of the 1980s as state of the art.
At a cost exceeding £12000 (twelve thousand pounds GBP) you had to be a professional to be able to afford one!
Offers a fully weighted keyboard with incredibly authentic samples sounds, a sample facility, sound layering, multi timbral sequencing and more.
Still sought after today as a useable classic that has qualities not repeated in other keyboards.
The keyboard is huge, and comes with it's own easy to collapse stand and power supply module which doubles as a casing for the piano style foot pedals.
This keyboard came to me approximately 15 years ago from music producer and composer Paul Brooks (K-tel, Boy George, War Of The Worlds, David Alexander etc)."
Yaaha DX5
via this aution"This is a 1980's Yamaha DX-5 keyboard with manual, case, DX-data rom and DX 1 & 2 data cartridges
* incorporates digital FM voice generation system
* 128 pre-programmed voices and can program and save your own voices on the data cartridge
* Two FM voice generator channels which can be used individually, combined, or in split keyboard mode
* initial touch response and after touch response
* Ability to store up to 64 combinations of voices and performance effect parameters
* Midi interface"
Tuesday, April 22, 2008
Oberheim Xpander XP-1 Service Manual
via this auction"OBERHEIM XPANDER XP-1 Original Service Manual in great condition including schematics and PCB layouts for repair and diagnostics, parts lists, etc. This was purchased directly from Oberheim in the 1980's and I assume very rare."
KORG X-911 Vintage Analog Guitar Synth
via this auction"This funky little analog synth was designed to be played from a guitar, but you can play it from any suitable audio signal (guitar, flute, and monophonic sine waves are best for tracking purposes) or the right cv and gate compatible synthesizer (hz/volt like the MS-20, etc). There are built in preset sounds as well as synthesizer waveforms that can be mixed and the filter sounds very nice. One of the features we like most is that the synth section lets you play different octaves at once for a fat layered sound. Each of these layers has its own adjustable VCA envelope parameter so the resulting layered sound can have components each with somewhat different envelopes."
Yamaha CS30
images via this auction"This CS-30 has two VCOs, two VCFs, two VCAs one LFO, three EGs and 8 step analog sequencer. All sections are routable by selector switches, just like modular synthesizer without patch cables.
some links
Yamaha CS30 link1
Yamaha CS30 link2"
Monday, April 21, 2008
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