Sunday, September 30, 2007
Oberheim OB-Xa
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Oberheim
Quasimidi Polymorph
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Quasimidi
Saturday, September 29, 2007
Access Virus Classic
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Access
Friday, September 28, 2007
Roland JD-800
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Roland
Thursday, September 27, 2007
MOOG Prodigy
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MOOG
Wednesday, September 26, 2007
KORG MicroKorg
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KORG
Tuesday, September 25, 2007
Chroma Polaris
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Chroma Polaris Synthesizer Keyboard model 2123

Chroma Polaris Synthesizer Keyboard model 2123
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Chroma
Monday, September 24, 2007
Roland JP-8000
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Roland
KORG MicroKorg
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KORG
Kurzweil K2000 V3
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Kurzweil
Sunday, September 23, 2007
MIDIBass EPROM Chip
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"Here is a complete selection of 7 sound eproms for your 360 systems midi bass module. The eprom included is any 1 or more of the following sound chips. These chips were designed for use in the Midi Bass sound module."
"Here is a complete selection of 7 sound eproms for your 360 systems midi bass module. The eprom included is any 1 or more of the following sound chips. These chips were designed for use in the Midi Bass sound module."
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360Systems
Roland Juno-106
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Roland
Roland Juno-1
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Roland
ARP Odyssey 2823
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"Arp Odyssey Synthesizer model 2823 from the Debarge Studio."
"Arp Odyssey Synthesizer model 2823 from the Debarge Studio."
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ARP
Saturday, September 22, 2007
Friday, September 21, 2007
Novation K-Station
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Novation
Blacet Time Machine
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Blacet
Thursday, September 20, 2007
KORG Polysix
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KORG
Wednesday, September 19, 2007
ARP Solus
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ARP
Doepfer A-100
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One A-154 Sequencer Controller
Two A-155 Sequencers
One A-150 Voltage Controlled Switch
One A-156 Dual Quantiser
One A-180 Multiples
One A-154 Sequencer Controller
Two A-155 Sequencers
One A-150 Voltage Controlled Switch
One A-156 Dual Quantiser
One A-180 Multiples
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Doepfer
Roland JD-800
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Roland
Tuesday, September 18, 2007
Sequential Circuits Six-Trak
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Sequential Circuits
KORG Mono/Poly
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KORG
Monday, September 17, 2007
KORG Polysix
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"This synthesizer was released in 1981, and features six voice polyphony (as if anyone didn't guess that by its name), a 5 octave keyboard (61 keys, not touch sensitive), 32 programmable memory slots, 1 VCO per voice, 24 dB/octave VCF's & normal ADSR controlled VCA, a cool arpeggiator and a quite useful effect section.
The VCO is square, PW or PWM with controls for octave(pitch) and speed. The VCF has
controls for cutoff, resonance, EG (envelope generator) intensity and keyboard tracking. The Polysix was reasonably priced at the time and sold well. I think its last list price was about $ 1100. It can be compared to the Roland Juno range with features, price and sound. Click here to download manual in PDF Format"
"This synthesizer was released in 1981, and features six voice polyphony (as if anyone didn't guess that by its name), a 5 octave keyboard (61 keys, not touch sensitive), 32 programmable memory slots, 1 VCO per voice, 24 dB/octave VCF's & normal ADSR controlled VCA, a cool arpeggiator and a quite useful effect section.
The VCO is square, PW or PWM with controls for octave(pitch) and speed. The VCF has

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KORG
Sequential Circuits Pro-One
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Sequential Circuits
MOOG Micromoog
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MOOG
Sunday, September 16, 2007
Metasonix TS-21 Hellfire
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Metasonix
Roland Juno-60
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Roland
Ensoniq ESQ-1
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Ensoniq
Friday, September 14, 2007
Casio DG-20
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GUITAR MIDI OUT-BUILT IN SYNTH

GUITAR MIDI OUT-BUILT IN SYNTH
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Casio
Thursday, September 13, 2007
MOOG Memorymoog Plus
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"MEMORYMOOG PLUS SYNTHESIZER With Built In Sequencer: Original 1983 Vintage Moog Synthesizer With factory cassette tape of original Moog sound programs and owners manual together with the Moog foot switch."
"MEMORYMOOG PLUS SYNTHESIZER With Built In Sequencer: Original 1983 Vintage Moog Synthesizer With factory cassette tape of original Moog sound programs and owners manual together with the Moog foot switch."
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MOOG
Wednesday, September 12, 2007
Roland Juno-6
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"The Juno-6 is a 6-voice polyphonic, digital oscillator, analog keyboard with a 5-octave, 61-note (C-C) keyboard. Though it only has one DCO per voice, it is said to have a warm and full sound. The DCO is switchable between any or all of the following waveforms: Pulse (with pulse-width modulation from either the LFO or the ADSR), sawtooth, and a sub-oscillator (square wave). White noise could also be mixed in with the oscillators. Each voice has its own VCF with a continuously variable control for keyboard follow, and an input on the back panel for voltage control. There is also a separate high-pass filter. The LFO features controls for rate and delay, as well as a switch that toggles between two modes, auto (modulation starts when set delay time has passed) and manual (modulation starts when the LFO trigger button, next to the mod wheels on the performance panel, is pressed). Only one envelope generator (ADSR) is available for both the DCOs and the VCOs. The Juno-6 features an arpeggiator with controls for mode, range, and rate with a clock input on the back panel, and a chorus with two buttons, each button adding more chorus. In addition to arpeggiator and filter control inputs, the back panel also has both mono and stereo outputs, a headphone jack, and a sustain/hold pedal input."
"The Juno-6 is a 6-voice polyphonic, digital oscillator, analog keyboard with a 5-octave, 61-note (C-C) keyboard. Though it only has one DCO per voice, it is said to have a warm and full sound. The DCO is switchable between any or all of the following waveforms: Pulse (with pulse-width modulation from either the LFO or the ADSR), sawtooth, and a sub-oscillator (square wave). White noise could also be mixed in with the oscillators. Each voice has its own VCF with a continuously variable control for keyboard follow, and an input on the back panel for voltage control. There is also a separate high-pass filter. The LFO features controls for rate and delay, as well as a switch that toggles between two modes, auto (modulation starts when set delay time has passed) and manual (modulation starts when the LFO trigger button, next to the mod wheels on the performance panel, is pressed). Only one envelope generator (ADSR) is available for both the DCOs and the VCOs. The Juno-6 features an arpeggiator with controls for mode, range, and rate with a clock input on the back panel, and a chorus with two buttons, each button adding more chorus. In addition to arpeggiator and filter control inputs, the back panel also has both mono and stereo outputs, a headphone jack, and a sustain/hold pedal input."
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Roland
Tuesday, September 11, 2007
KORG Prophecy
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KORG
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