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Showing posts with label Teisco. Show all posts
Showing posts with label Teisco. Show all posts
Tuesday, November 27, 2012
Tuesday, March 20, 2012
Teisco S-100P Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This model was made between 1979 and 1982 under license from ARP Instruments.
Features include,
32 preset voices, 37 keys - 3 octaves (C-C)
Effects - Growl, Vibrato, Wow / Brilliance, Bend Up / Bend Down, Hold / Sustain, Flanger, Repeat and Portamento / Glissando.
Also has spring reverb.
Top panel controls for Tune, Mode (3 way switch and Portamento / Glissando Long/Short slider), Reverb, Touch Sensitvity, Volume, Brilliance, Mod. Speed, Pitch Bend and Transpose
4 Rear panel jacks for Headphones, High Out, Low Out and Expression Pedal
Comes with a power cord.
Approx. dimensions are 830mm x 296mm x 120mm (including rubber feet) weight is approx. 10.5 kg
A copy of the original user manual can be found here - http://home.worldonline.nl/~smeyer/teisco/100p.html"
via this auction"This model was made between 1979 and 1982 under license from ARP Instruments.
Features include,
32 preset voices, 37 keys - 3 octaves (C-C)
Effects - Growl, Vibrato, Wow / Brilliance, Bend Up / Bend Down, Hold / Sustain, Flanger, Repeat and Portamento / Glissando.
Also has spring reverb.
Top panel controls for Tune, Mode (3 way switch and Portamento / Glissando Long/Short slider), Reverb, Touch Sensitvity, Volume, Brilliance, Mod. Speed, Pitch Bend and Transpose
4 Rear panel jacks for Headphones, High Out, Low Out and Expression PedalComes with a power cord.
Approx. dimensions are 830mm x 296mm x 120mm (including rubber feet) weight is approx. 10.5 kg
A copy of the original user manual can be found here - http://home.worldonline.nl/~smeyer/teisco/100p.html"
Sunday, March 04, 2012
Wednesday, November 02, 2011
Thursday, March 24, 2011
Friday, November 26, 2010
Thursday, November 19, 2009
TEISCO 60F vintage synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"1 VCO + noise, Resonant, self-oscillating lowpass filter, mod by EG, LFO, Keyboard tracking, Highpass Filter, LFO (tri, pulse and S/H), External audio input, Pitch Bend Switch (Arp type), 32Keys, CV/GATE CONTROL.
It has some LEDs that lights when sound goes through.
Made in Japan in 1982."
via this auction"1 VCO + noise, Resonant, self-oscillating lowpass filter, mod by EG, LFO, Keyboard tracking, Highpass Filter, LFO (tri, pulse and S/H), External audio input, Pitch Bend Switch (Arp type), 32Keys, CV/GATE CONTROL.
It has some LEDs that lights when sound goes through.
Made in Japan in 1982."
Thursday, April 17, 2008
KAWAI (TEISCO) 100F
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Kawai Synthesizer-100F is a single VCO monophonic analogue synthesizer with a 3-octave, 37-note, C-C keyboard. Also made under the badge of Teisco, the S-100F has a single oscillator with a very wide range, selected via a 7-position knob (2', 4', 8', 16', 32', 64' and "low"). A slider controls tuning within the octave. Available waveforms are sawtooth and square, which can be mixed with either noise or an external audio signal. The VCO can be modulated by either envelopes or the LFO, with a slider controlling delay. The VCF section has sliders for cutoff frequency and resonance (called "peak"). The filter can be modulated by the LFO, Envelope 1, the external input, or the oscillator (sawtooth or square waveforms). The amplifier can use its own envelope generator, Envelope 2, or a simple keyboard gate, and has its own gain slider in addition to the main volume slider. A simple high-pass filter is also available at the end of the audio chain, with a slider controlling filter cutoff. Both of the envelope generators have a three-position switch for envelope type and a slider for attack and one for decay. The first switch position creates a simple AD (attack decay) envelope. The second turns the envelope into an ADS (attack decay sustain) where the sustain is set at about 75% and there is no release value. The third creates an ASR (attack sustain release) envelope where the sustain is at full value. A switch between both envelope sections chooses between keyboard and LFO triggering for both envelopes. There is a three-mode portamento (not sure what the modes are) with a slider controlling lag amount. The LFO section has a slider for rate and is switchable between sawtooth, triangle, and square waveforms.
Although Kawai began manufacturing synthesizers under the company name of Teisco, they soon took over as Kawai which resulted in synths like the S100-F above which can be found labeled either Teisco or Kawai (as pictured above). The Synthesizer 100-F is a very good and classic single-vco monophonic analog synth. It has a small but usable 37 note keyboard. Sawtooth, square and noise waveforms and external sounds can be run through the synth's filters and envelopes and mixed with the oscillator.
Although there is only one oscillator, there's plenty of modulation ability to really liven up the sound. There's an LFO which can modulate the VCO, VCF and VCA. The VCF resonant filter is good and can be modulated by the LFO, Envelope 1, the external input or even the VCO! There's also a VCA section with Attack, Decay, Sustain and Release controls and finally there's a Hi-Pass filter. There is also a portamento effect for that final crucial analog synth effect! A typical analog synth with just about all the features and functions you'd need. It's got the classic wood side panels and a front panel layout that leads to very straight forward programming resulting in good analog bass, lead and synth sounds."
via this auction"The Kawai Synthesizer-100F is a single VCO monophonic analogue synthesizer with a 3-octave, 37-note, C-C keyboard. Also made under the badge of Teisco, the S-100F has a single oscillator with a very wide range, selected via a 7-position knob (2', 4', 8', 16', 32', 64' and "low"). A slider controls tuning within the octave. Available waveforms are sawtooth and square, which can be mixed with either noise or an external audio signal. The VCO can be modulated by either envelopes or the LFO, with a slider controlling delay. The VCF section has sliders for cutoff frequency and resonance (called "peak"). The filter can be modulated by the LFO, Envelope 1, the external input, or the oscillator (sawtooth or square waveforms). The amplifier can use its own envelope generator, Envelope 2, or a simple keyboard gate, and has its own gain slider in addition to the main volume slider. A simple high-pass filter is also available at the end of the audio chain, with a slider controlling filter cutoff. Both of the envelope generators have a three-position switch for envelope type and a slider for attack and one for decay. The first switch position creates a simple AD (attack decay) envelope. The second turns the envelope into an ADS (attack decay sustain) where the sustain is set at about 75% and there is no release value. The third creates an ASR (attack sustain release) envelope where the sustain is at full value. A switch between both envelope sections chooses between keyboard and LFO triggering for both envelopes. There is a three-mode portamento (not sure what the modes are) with a slider controlling lag amount. The LFO section has a slider for rate and is switchable between sawtooth, triangle, and square waveforms.
Although Kawai began manufacturing synthesizers under the company name of Teisco, they soon took over as Kawai which resulted in synths like the S100-F above which can be found labeled either Teisco or Kawai (as pictured above). The Synthesizer 100-F is a very good and classic single-vco monophonic analog synth. It has a small but usable 37 note keyboard. Sawtooth, square and noise waveforms and external sounds can be run through the synth's filters and envelopes and mixed with the oscillator.
Although there is only one oscillator, there's plenty of modulation ability to really liven up the sound. There's an LFO which can modulate the VCO, VCF and VCA. The VCF resonant filter is good and can be modulated by the LFO, Envelope 1, the external input or even the VCO! There's also a VCA section with Attack, Decay, Sustain and Release controls and finally there's a Hi-Pass filter. There is also a portamento effect for that final crucial analog synth effect! A typical analog synth with just about all the features and functions you'd need. It's got the classic wood side panels and a front panel layout that leads to very straight forward programming resulting in good analog bass, lead and synth sounds."
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