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Europa
Monday, October 13, 2008
Thomas Monticello 371 Organ MOOG SYNTHESIZER
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"Thomas Monticello 371 Organ.. With MOOG Preset SYNTHESIZER.. A Sound For Everyone.. Owners Manual.. And Bench....
Two 44 Note Keyboards.. Power And Color Glo Switches.. Organ Control Panel.. Lower Keyboard Control Panel.. Synthesizer Control Panel.. Upper Keyboard Control Panel.. Radial Arc Pedal Keyboard.. Expression Pedal.. LESLIE And Variable Controls.. Pedal Voices.. Tremulant.. Solo Voices.. Percussions.. Headphone Jack.. Pedal Keyboard.. Lots Of Music Books And Bench Included............................
Church Registrations With MOOG Synthesizer:
Full Organ: Clear, Tone Good Choral Accompaniment.. Baroque Ensemble With Reeds.. Brilliant Ensemble With Reeds.. Sforzando: Bold, Brilliant With Reeds And Strings..
Special Registrations Moog Synthesizer And Organ: Barrel Organ.. Concert Grand Played In Octaves.. Harp.. Hawaiian Guitar Chorus.. Highland Pipers Chorus.. Honky Tonk Piano.. Musette.. Marimba With Flute.. Novelty Reed With Organ.. Sitar.. Theater Organ Tibia Vox Chorus.. Vision Ensemble With Organ......................
Solo Moog Synthesizer Registrations: Smooth Trumpet.. Fat Trombone.. French Horn.. Tuba.. English Horn.. Bassoon.. Sub-Tone Clarinet.. Baritone Sax.. Alto Sax.. Violin.. Electric Bass Guitar.. Plucked Bass.. Flute.. Slide Flute.. Recorder.. Alley Cat.. Warbler.. Singing Voice.. Moon People.. Jaw Harp.. Happy Voice.. Tweedle.. Fire Siren.. Wart Hog......
PLUS: You Can CREATE Your Own Sounds.. Even The PHASER Sound From Star Trek................
Owners manual and music books included.. Even the Day Glo Self learning books..."
"Thomas Monticello 371 Organ.. With MOOG Preset SYNTHESIZER.. A Sound For Everyone.. Owners Manual.. And Bench....
Two 44 Note Keyboards.. Power And Color Glo Switches.. Organ Control Panel.. Lower Keyboard Control Panel.. Synthesizer Control Panel.. Upper Keyboard Control Panel.. Radial Arc Pedal Keyboard.. Expression Pedal.. LESLIE And Variable Controls.. Pedal Voices.. Tremulant.. Solo Voices.. Percussions.. Headphone Jack.. Pedal Keyboard.. Lots Of Music Books And Bench Included............................
Church Registrations With MOOG Synthesizer:
Full Organ: Clear, Tone Good Choral Accompaniment.. Baroque Ensemble With Reeds.. Brilliant Ensemble With Reeds.. Sforzando: Bold, Brilliant With Reeds And Strings..
Special Registrations Moog Synthesizer And Organ: Barrel Organ.. Concert Grand Played In Octaves.. Harp.. Hawaiian Guitar Chorus.. Highland Pipers Chorus.. Honky Tonk Piano.. Musette.. Marimba With Flute.. Novelty Reed With Organ.. Sitar.. Theater Organ Tibia Vox Chorus.. Vision Ensemble With Organ......................
Solo Moog Synthesizer Registrations: Smooth Trumpet.. Fat Trombone.. French Horn.. Tuba.. English Horn.. Bassoon.. Sub-Tone Clarinet.. Baritone Sax.. Alto Sax.. Violin.. Electric Bass Guitar.. Plucked Bass.. Flute.. Slide Flute.. Recorder.. Alley Cat.. Warbler.. Singing Voice.. Moon People.. Jaw Harp.. Happy Voice.. Tweedle.. Fire Siren.. Wart Hog......
PLUS: You Can CREATE Your Own Sounds.. Even The PHASER Sound From Star Trek................
Owners manual and music books included.. Even the Day Glo Self learning books..."
Labels:
MOOG
Yamaha CS15D
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"This is a partially preset, partially variable monophonic analogue synth which was released in 1979. It was part of a synthesizer range that included the CS-20m, the CS-40m, and the CS-70m. It has a very solid warm sound for a single VCO synth. The preset section is divided into two channels. Channel 1 has 15 sounds with the usual array of unrealistic instrument imitations and Channel 2 has 14 synth sounds plus a button to activate the 'manual' section of the synth. There is a slider to mix between the two channels and channel 2 can be detuned.
The 'manual' section comprises 1 VCO with a variable control between pulse and saw waves. There are also controls for pulse width modulation, noise and footings (32' - 2'). The 12dB filter has cut-off and resonance plus a dedicated ADSR envelope with a control for envelope amount. It has a nice wet and warm sound. There is a separate ADSR for the amplifier.
Most controls to the left of the preset section affect the presets as well as the manual section. These include a modulation section with 1 LFO (sine and square), S/H (random) and repeat. Modulation can be routed to either the VCO, VCF or VCA. There is also a global tuning pot and a performance panel that includes portamento (which isn't very precise) modulation and pitch wheels as well as a 'brilliance' slider. Why a slider for VCF modulation instead of a wheel? God only knows. One feature of the pitch wheel that has synthesists divided is that it doesn't have a spring although a soft 'click' is felt when moved back to the center-point. It can be handy to reach the lowest possible notes without having to hold the wheel in place."
"This is a partially preset, partially variable monophonic analogue synth which was released in 1979. It was part of a synthesizer range that included the CS-20m, the CS-40m, and the CS-70m. It has a very solid warm sound for a single VCO synth. The preset section is divided into two channels. Channel 1 has 15 sounds with the usual array of unrealistic instrument imitations and Channel 2 has 14 synth sounds plus a button to activate the 'manual' section of the synth. There is a slider to mix between the two channels and channel 2 can be detuned.
The 'manual' section comprises 1 VCO with a variable control between pulse and saw waves. There are also controls for pulse width modulation, noise and footings (32' - 2'). The 12dB filter has cut-off and resonance plus a dedicated ADSR envelope with a control for envelope amount. It has a nice wet and warm sound. There is a separate ADSR for the amplifier.
Most controls to the left of the preset section affect the presets as well as the manual section. These include a modulation section with 1 LFO (sine and square), S/H (random) and repeat. Modulation can be routed to either the VCO, VCF or VCA. There is also a global tuning pot and a performance panel that includes portamento (which isn't very precise) modulation and pitch wheels as well as a 'brilliance' slider. Why a slider for VCF modulation instead of a wheel? God only knows. One feature of the pitch wheel that has synthesists divided is that it doesn't have a spring although a soft 'click' is felt when moved back to the center-point. It can be handy to reach the lowest possible notes without having to hold the wheel in place."
Labels:
Yamaha
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