images via this auction
"Very similar in sound and concept to the contemporary Selmer Clavioline, but uses a different circuit. One of the earliest synthesizers, valve (tube) circuitry and amplification, and was designed to be clipped to the front of a piano or organ keyboard as a lead/solo instrument."
Sunday, April 06, 2008
Electrix Filter Factory
via this auction
Polyphony - Stereo or Mono
Filter Modes - High, Low, Bandpass & Notch
Filter Slope - Two-pole stereo, four-pole mono
LFO - Sawtooth, Reverse sawtooth, triangle, square; depth, speed adjust
Effects - Distortion
Memory - Save your settings via MIDI
Control - MIDI, CV input
Inputs- 1/4 TRS balanced/RCA Phono or Line Level
Outputs-1/4 TRS Balanced/RCA Line Level
Power-100/240 switchable.
Polyphony - Stereo or Mono
Filter Modes - High, Low, Bandpass & Notch
Filter Slope - Two-pole stereo, four-pole mono
LFO - Sawtooth, Reverse sawtooth, triangle, square; depth, speed adjust
Effects - Distortion
Memory - Save your settings via MIDI
Control - MIDI, CV input
Inputs- 1/4 TRS balanced/RCA Phono or Line Level
Outputs-1/4 TRS Balanced/RCA Line Level
Power-100/240 switchable.
Labels:
Electrix
Sequential Circuits Prelude
images via this auction
"MORE: link
Specifications:
Polyphony - 49 notes
Oscillators - Brass, Strings, Organ and Piano
LFO - Fixed waveform, speed, depth, delay sliders
Filter - Yes: Brilliance (Orch 1). Freq. Cutoff and Resonance (Orch. 2)
Effects - Animator flange effect (Orch 2)
VCA - Yes, individual attack and decay sliders for strings, brass and piano sections.
Keyboard - 49 keys
Memory - None
Control - None
Date Produced - 1979-1982 (Orch 1); 1983-1986 (Orch 2)"
"MORE: link
Specifications:
Polyphony - 49 notes
Oscillators - Brass, Strings, Organ and Piano
LFO - Fixed waveform, speed, depth, delay sliders
Filter - Yes: Brilliance (Orch 1). Freq. Cutoff and Resonance (Orch. 2)
Effects - Animator flange effect (Orch 2)
VCA - Yes, individual attack and decay sliders for strings, brass and piano sections.
Keyboard - 49 keys
Memory - None
Control - None
Date Produced - 1979-1982 (Orch 1); 1983-1986 (Orch 2)"
Labels:
Sequential Circuits
Roland SH-101
via this auction
Synthesis
Oscillator (VCO)
* Range: 16'/8'/4'/2', waveforms: pulse/PWM, saw
* PWM: manual, envelope, LFO
* Sub-oscillator: square -1 oct., square -2 oct., pulse -2 oct.
* Mixer: pulse, saw, sub-oscillator, noise
Filter (VCF)
* Resonant/self-oscillating, -18 dB/octave low-pass
* Modulation: LFO, envelope, keyfollow
Envelope generator
* ADSR envelope
* Range: A: 1,5 ms .. 4 s, D: 2 ms .. 10 s, S: 0 .. 100%, R: 2 ms .. 10 s
* Modes: envelope+gate, gate, triggered by LFO
Amplifier (VCA)
* Mode: gate, envelope
Modulator (LFO)
* Frequency: 0,1 .. 30 Hz
* Waveform: triangle, square, random/S&H, noise
* Destination: VCO pitch, VCO PW, VCF cutoff, VCA
Sequencer
* Arpeggiator (up, down, up and down)
* 100-step sequencer
Controls
* 2,5-octave keyboard (32 keys)
* Pitch bender, mod lever (VCO/VCF LFO depth)
Connections
* CV/gate input
* External clock input (for arpeggiator/sequencer
Synthesis
Oscillator (VCO)
* Range: 16'/8'/4'/2', waveforms: pulse/PWM, saw
* PWM: manual, envelope, LFO
* Sub-oscillator: square -1 oct., square -2 oct., pulse -2 oct.
* Mixer: pulse, saw, sub-oscillator, noise
Filter (VCF)
* Resonant/self-oscillating, -18 dB/octave low-pass
* Modulation: LFO, envelope, keyfollow
Envelope generator
* ADSR envelope
* Range: A: 1,5 ms .. 4 s, D: 2 ms .. 10 s, S: 0 .. 100%, R: 2 ms .. 10 s
* Modes: envelope+gate, gate, triggered by LFO
Amplifier (VCA)
* Mode: gate, envelope
Modulator (LFO)
* Frequency: 0,1 .. 30 Hz
* Waveform: triangle, square, random/S&H, noise
* Destination: VCO pitch, VCO PW, VCF cutoff, VCA
Sequencer
* Arpeggiator (up, down, up and down)
* 100-step sequencer
Controls
* 2,5-octave keyboard (32 keys)
* Pitch bender, mod lever (VCO/VCF LFO depth)
Connections
* CV/gate input
* External clock input (for arpeggiator/sequencer
Labels:
Roland
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