MATRIXSYNTH-B: 01/18/09

Korg Delta Analog Polyphonic Synth

Kawai SX-240 Analog Synthesizer

via this auction
"The SX-240 is a programmable polyphonic analog keyboard synthesizer with MIDI from Kawai. It was originally released under the Teisco brand-name. It is a well rounded analog synth with 2 DCOs (pulse, sawtooth and sub-osc), a lowpass filter with ADSR envelope, a flexible LFO, MIDI and 48 memory patches. In terms of patch editing, the SX-240 is very much like a Roland Alpha Juno or Moog Source which resort to using a dedicated data-wheel to edit the values of selected parameters when you edit sounds. It also has a built-in real-time 1500 note sequencer and chord memory. And the sequencer can be split into 8 separate 200 note songs, roughly. The SX-240 is cheaper and comparable to similar Sequential synthesizers from this time period like the SixTrak and the Prophet 600, but sound-wise, is not as popular or cool as them or any of the Roland synthesizers either. It is an Analog Synth, with a digital memory to store your patches like the Prophet or Jupiter and Midi."

Access Virus TI Desktop Synthesizer

via this auction

SEQUENTIAL CIRCUITS SIX-TRAK

via this auction
"The Six-Trak is a 6-voice, polyphonic, multitimbral, programmable analog synthesizer with MIDI, a sequencer, an arpeggiator, and a 4-octave, 49-note (C-C) keyboard. It was one of the first multitimbral MIDI instruments designed to be used with a computer. Software was available for the Commodore 64 computer, then a very popular home personal computer. The software allowed you to program the voices and the sequencer. Sequential marketed the Six-Trak and its software with their Drum Tracks drum machine as a complete MIDI system. The Six-Trak was also designed as a MIDI instrument. Some say that the SixTrak was the first multitimbral MIDI synth to respond to multiple MIDI channels. Each voice can be programmed to any of 100 internal patches and played (via an external sequencer or external keyboard controller) as a separate monophonic synth. Also available was a built-in 800 note sequencer consisting of two multitimbral Six-Trak sequences with individual volume controls. It is also syncable to an external source. Each voice consists of a single Curtis 3394 chip, which basically contains the entire synth engine (one VCO, a VCF, a VCA, and an LFO) except for the ADSR envelope generators. The VCO has coarse and fine tuning, glide (portamento), and available sawtooth, triangle, and pulse (with pulse width modulation) waveforms. Each oscillator can be mixed with the noise generator. The filter section features controls for the cut-off frequency, and resonance. Keyfollow modulation can be set to off, half, or full keyboard. The filter is self-resonating and can be modulated by the oscillator. In each voice the VCO, VCF, and VCA have their own ADSR envelope generators with variable envelope amounts. Both the VCF's and the VCO's ADSRs can be inverted. The LFO can be routed to the VCO, the VCR, and pulse width modulation. Available waveforms for the LFO are square and triangle with controls for amount and frequency. Without a computer, programming is a bit of a chore. The Six-Trak uses parameter access programming via a single data knob and a single two-digit LED display. The Six-Trak features polyphonic portamento (in polyphonic mode), unison mode, and "stack" mode. Stack mode allows each voice to be set to a different patch and played as one complex monophonic sound. Both mono and stack modes are selectable between single and multiple triggering modes. The arpeggiator can be switched to up, down, or assignable, which arpeggiator notes in the order they were played. It can be set to play on voice six as a chord is played with the other five voices. The keyboard can be split into three areas. The pitch wheel is fixed at a range of a major 3rd up and a minor 3rd down. The modulation wheel controls the LFO amount. The Six-Trak's patches and Sequences can only be backed up through MIDI. Also on the back panel is the MIDI interface (IN\OUT), a stereo audio out jack which doubles as a headphone jack, and a footswitch (sustain) jack. The Six-Trak's over all dimensions are 28" x 12" x 4 1/2"."

KORG RADIAS

via this auction
"Korg RADIAS Features:
49-key keyboard
Two oscillators per timbre, which share the low-aliasing design of Korg's OASYS
Modeled analog, formant and Korg's classic DWGS waveforms, PCM playback, as well as ring modulation and sync
Dual multimode filters, three envelopes, two LFOs, three modulation sequencers Six virtual patches
2-band EQ, Drive, 11 types of Wave Shaping
Punch parameter emphasizes the attack portion of the sound
Each Program contains an arpeggiator with six pattern types and two Step Sequencers
16-band vocoder section, each with level and pan controls
Formant Motion function records up to 7.5 seconds of incoming formant information per Program so users can recreate vocoder effects even when no microphone is present
Headset microphone included
Two insert effects for each timbre, plus a program-wide master effect.
30 included effects types range from delay, chorus and reverb, to compressor and talking modulator"