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Saturday, November 15, 2008

Oberheim Matrix-6R

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Moog Sonic 6

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ROLAND JUNO-6

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Korg MicroKORG

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"Analog modeling and multiband vocoding in a compact, portable instrument.

With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone.

Powerful synthesis
The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings — routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. — and you have performance that is unheard of from a synthesizer in this price range!

Classic vocoding
The microKORG includes an 8-band vocoder with many advanced features. You can capture and "freeze" the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

A full range of effects
Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock — a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Great sounds and expression
Korg has used all of the microKorg's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The Pitch Bend wheel, Modulation wheel and five other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The Edit Mode allows you to fully edit the existing sounds, or to create your own new ones.

Flexible arpeggiator
Six types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

Audio in
Two external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

A compact MIDI controller
The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

Clear control and classic looks
There's no complex menu structure — all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.
Korg MicroKORG Synthesizer / Vocoder Features:

* 128 user-rewritable programs
* 37-key mini keyboard
* Powerful synthesis
* Classic vocoding
* A full range of effects
* Great sounds and expression
* Flexible arpeggiator (6 types)
* Clear control and classic looks
* Can serve as a compact MIDI controller"


Roland JX-3P Vintage Synth with PG-200 Programmer

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Roland Juno-6

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KORG MS-10

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YAMAHA CS15D

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"This is a partially preset, partially variable monophonic analogue synth which was released in 1979. It was part of a synthesizer range that included the CS-20m, the CS-40m, and the CS-70m. It has a very solid warm sound for a single VCO synth. The preset section is divided into two channels. Channel 1 has 15 sounds with the usual array of unrealistic instrument imitations and Channel 2 has 14 synth sounds plus a button to activate the 'manual' section of the synth. There is a slider to mix between the two channels and channel 2 can be detuned.

The 'manual' section comprises 1 VCO with a variable control between pulse and saw waves. There are also controls for pulse width modulation, noise and footings (32' - 2'). The 12dB filter has cut-off and resonance plus a dedicated ADSR envelope with a control for envelope amount. It has a nice wet and warm sound. There is a separate ADSR for the amplifier.

Most controls to the left of the preset section affect the presets as well as the manual section. These include a modulation section with 1 LFO (sine and square), S/H (random) and repeat. Modulation can be routed to either the VCO, VCF or VCA. There is also a global tuning pot and a performance panel that includes portamento (which isn't very precise) modulation and pitch wheels as well as a 'brilliance' slider. Why a slider for VCF modulation instead of a wheel? God only knows. One feature of the pitch wheel that has synthesists divided is that it doesn't have a spring although a soft 'click' is felt when moved back to the center-point. It can be handy to reach the lowest possible notes without having to hold the wheel in place."




Access Virus TI Snow

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