Roland SH-101

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"The SH-101 is very cool, especially for techno, drum&bass and ACID! It's a monophonic bass synthesizer. Its sound lies somewhere between the TB-303 and a Juno bass sound. It has a lot of simple but cool features. You can control the VCF, pitch, LFO or all from the pitch bender. It has a white noise generator, arpeggiator with up, down and up/down patterns and a simple real-time sequencer. The LFO offers random, sine, square or noise waveforms. And normal or auto portamento effects give you that elastic bass sound. There are external clock inputs for the sequencer and arpeggiator, CV/GATE inputs and outputs and a CV hold pedal."

KORG Micro X

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KORG MS2000

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Chroma Polaris

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"The Chroma Polaris was the second synthesizer made by Fender/Rhodes after they took over ARP, following their classic Rhodes Chroma. It has a classic analog ARP-like sound, kind-of tinny but also fat. Sounds can be layered up to 6 voices. It has typical analog synth controls including a cool 'sweep' knob for sweeping through the LFO or analog filter cutoff parameters. It also has a simple real-time sequencer and 132 memory patches. There's also a nice and colorful layout with sliders similar to Roland Juno synths, membrane push-buttons and a large velocity sensitive 61-note keyboard making the Chroma Polaris a very nice synth. Fully MIDI-equipped, the Polaris will transmit and receive all its edit controls through MIDI as well as the ability to play up to three patches at once."